As Above So Below

As Above, So Below created for the group exhibition Uncanny Times at Seidel City, Boulder, explores the concept of parallel worlds and alternate realities through an image of wetlands and their reflections. The work connects our inner emotional landscape with the external, physical world. Wetlands, as one of the most threatened ecosystems, serve as a metaphor for the overlapping crises of society, health, and the environment. Created during the pandemic, the painting reflects the tension between solitude and the need to navigate an uncertain world. It speaks to the complexities of our time and the need for change in how we understand and move through both internal and external landscapes.